Fluegelhorn Mouthpiece

Denis Wick Flugelhorn Mouthpiece in Gold 3Fl Gold $59.99 Gold Plate Fluegelhorn Mouthpieces.

Denis Wick Flugelhorn Mouthpiece In Gold 3Fl Gold $59.99 Gold Plate Fluegelhorn Mouthpieces.

Performance Gear Trumpet and Fluegelhorn Pegs Flugelhorn Peg $24.99 Performance Gear Trumpet and Fluegelhorn Pegs Flugelhorn Peg

Performance Gear Trumpet And Fluegelhorn Pegs Flugelhorn Peg $24.99 Performance Gear Trumpet and Fluegelhorn Pegs Flugelhorn Peg

K&M Brass Instrument Pegs Fluegelhorn Peg $22.99 These K&M brass instrument pegs are designed to fit the K&M 15281 Peg Adapter.

Bach Standard Series Large Shank Trombone Mouthpiece In Gold 5Gl $169.99 The Bach Standard Series Large Shank Trombone Mouthpiece in Gold is available in the following model/sizes: 1G, 1-1/4G, 1-1/4GM, 1-1/2G, 1-1/2GM, 2G, 3G, 4G, 4GB, 5G, 5GL, 5 GB, 5GS, 6-1/2A, 6-1/2AL, and 6-1/2AMWhen selecting a mouthpiece, a brass instrumentalist should choose one with a solid, compact tone of large volume. A carefully selected Bach mouthpiece can help improve a players embouchure, attack, tonguing and endurance.Because no two players have the same lip or tooth formation, what is perfect for one may be entirely unsuitable for the other. Bach produces many different models so that each player can find the best mouthpiece for their individual embouchure.A mouthpiece consists of the rim, cup, throat, and backbore. Bringing these various components into proper relationship constitutes the art of superior mouthpiece production.In choosing a special combination of rim, cup, throat and backbore designs, consider the effects of each.RIM Wide: Increases enduranceNarrow: Improves flexibility, rangeRound: Improves comfortSharp: Increases brilliance, precision of attackCUPLarge: Increases volume, controlSmall: Relieves fatigue, weaknessDeep: Darkens tone, especially in low registerShallow: Brightens tone, improves response, especially in high registerTHROAT Large: Increases blowing freedom, volume, tone; sharpens high register (largest sizes also sharpen low registerSmall: Increases resistance, endurance, brilliance; flattens high registerBACKBOREExcept in general terms, it isnt possible to identify backbores by size because they also vary in shape. Various combinations of size and shape make the tone darker or more brilliant, raise or lower the pitch in one or more registers, increase or decrease volume. In each instance, the effect depends in part on the throat and cup used in combination with the backbore.Key To Trumpet, Cornet and Fluegelhorn Model Numbers: Bach trumpet, cornet and fluegelhorn mouthpieces have been numbered in an orderly progression from the largest to the smallest diameters and from the deepest to the most shallow cup, each with a choice of rim designs.Rim shape is described for each indi- vidual model throughout the catalog. Model numbers progress numerically from model #1 with the largest cup diameter, to model #20C with the smallest cup diameter.Model No. / Depth of Cup / Approx. Cup Dia. / Rim Shape / Throat / Backbore / Description 1G / Deep / 28.00 mm / Medium thin, well rounded. / .319" / 800S / Extra large and deep for extraordinary power and depth of tone. Among the largest and most powerful bass trombone mouthpieces produced today. 1-1/4G / Deep / 27.50 mm / Medium thin, well rounded. / .276" / 429 / Cup diameter is smaller than No.1G, but still very large and deep, with the sonority preferred by the modern American school. 1-1/4GM / Deep / 27.50 mm / Medium thin, well rounded. / .319" / 800S / Same rim and cup as No.1-1/4G, but with a larger throat and backbore for large, powerful sound, well in tune. 1-1/2G

Bach Standard Series Large Shank Trombone Mouthpiece In Gold 4Gb $169.99 The Bach Standard Series Large Shank Trombone Mouthpiece in Gold is available in the following model/sizes: 1G, 1-1/4G, 1-1/4GM, 1-1/2G, 1-1/2GM, 2G, 3G, 4G, 4GB, 5G, 5GL, 5 GB, 5GS, 6-1/2A, 6-1/2AL, and 6-1/2AMWhen selecting a mouthpiece, a brass instrumentalist should choose one with a solid, compact tone of large volume. A carefully selected Bach mouthpiece can help improve a players embouchure, attack, tonguing and endurance.Because no two players have the same lip or tooth formation, what is perfect for one may be entirely unsuitable for the other. Bach produces many different models so that each player can find the best mouthpiece for their individual embouchure.A mouthpiece consists of the rim, cup, throat, and backbore. Bringing these various components into proper relationship constitutes the art of superior mouthpiece production.In choosing a special combination of rim, cup, throat and backbore designs, consider the effects of each.RIM Wide: Increases enduranceNarrow: Improves flexibility, rangeRound: Improves comfortSharp: Increases brilliance, precision of attackCUPLarge: Increases volume, controlSmall: Relieves fatigue, weaknessDeep: Darkens tone, especially in low registerShallow: Brightens tone, improves response, especially in high registerTHROAT Large: Increases blowing freedom, volume, tone; sharpens high register (largest sizes also sharpen low registerSmall: Increases resistance, endurance, brilliance; flattens high registerBACKBOREExcept in general terms, it isnt possible to identify backbores by size because they also vary in shape. Various combinations of size and shape make the tone darker or more brilliant, raise or lower the pitch in one or more registers, increase or decrease volume. In each instance, the effect depends in part on the throat and cup used in combination with the backbore.Key To Trumpet, Cornet and Fluegelhorn Model Numbers: Bach trumpet, cornet and fluegelhorn mouthpieces have been numbered in an orderly progression from the largest to the smallest diameters and from the deepest to the most shallow cup, each with a choice of rim designs.Rim shape is described for each indi- vidual model throughout the catalog. Model numbers progress numerically from model #1 with the largest cup diameter, to model #20C with the smallest cup diameter.Model No. / Depth of Cup / Approx. Cup Dia. / Rim Shape / Throat / Backbore / Description 1G / Deep / 28.00 mm / Medium thin, well rounded. / .319" / 800S / Extra large and deep for extraordinary power and depth of tone. Among the largest and most powerful bass trombone mouthpieces produced today. 1-1/4G / Deep / 27.50 mm / Medium thin, well rounded. / .276" / 429 / Cup diameter is smaller than No.1G, but still very large and deep, with the sonority preferred by the modern American school. 1-1/4GM / Deep / 27.50 mm / Medium thin, well rounded. / .319" / 800S / Same rim and cup as No.1-1/4G, but with a larger throat and backbore for large, powerful sound, well in tune. 1-1/2G

Bach Standard Series Large Shank Trombone Mouthpiece In Gold 5Gb $169.99 The Bach Standard Series Large Shank Trombone Mouthpiece in Gold is available in the following model/sizes: 1G, 1-1/4G, 1-1/4GM, 1-1/2G, 1-1/2GM, 2G, 3G, 4G, 4GB, 5G, 5GL, 5 GB, 5GS, 6-1/2A, 6-1/2AL, and 6-1/2AMWhen selecting a mouthpiece, a brass instrumentalist should choose one with a solid, compact tone of large volume. A carefully selected Bach mouthpiece can help improve a players embouchure, attack, tonguing and endurance.Because no two players have the same lip or tooth formation, what is perfect for one may be entirely unsuitable for the other. Bach produces many different models so that each player can find the best mouthpiece for their individual embouchure.A mouthpiece consists of the rim, cup, throat, and backbore. Bringing these various components into proper relationship constitutes the art of superior mouthpiece production.In choosing a special combination of rim, cup, throat and backbore designs, consider the effects of each.RIM Wide: Increases enduranceNarrow: Improves flexibility, rangeRound: Improves comfortSharp: Increases brilliance, precision of attackCUPLarge: Increases volume, controlSmall: Relieves fatigue, weaknessDeep: Darkens tone, especially in low registerShallow: Brightens tone, improves response, especially in high registerTHROAT Large: Increases blowing freedom, volume, tone; sharpens high register (largest sizes also sharpen low registerSmall: Increases resistance, endurance, brilliance; flattens high registerBACKBOREExcept in general terms, it isnt possible to identify backbores by size because they also vary in shape. Various combinations of size and shape make the tone darker or more brilliant, raise or lower the pitch in one or more registers, increase or decrease volume. In each instance, the effect depends in part on the throat and cup used in combination with the backbore.Key To Trumpet, Cornet and Fluegelhorn Model Numbers: Bach trumpet, cornet and fluegelhorn mouthpieces have been numbered in an orderly progression from the largest to the smallest diameters and from the deepest to the most shallow cup, each with a choice of rim designs.Rim shape is described for each indi- vidual model throughout the catalog. Model numbers progress numerically from model #1 with the largest cup diameter, to model #20C with the smallest cup diameter.Model No. / Depth of Cup / Approx. Cup Dia. / Rim Shape / Throat / Backbore / Description 1G / Deep / 28.00 mm / Medium thin, well rounded. / .319" / 800S / Extra large and deep for extraordinary power and depth of tone. Among the largest and most powerful bass trombone mouthpieces produced today. 1-1/4G / Deep / 27.50 mm / Medium thin, well rounded. / .276" / 429 / Cup diameter is smaller than No.1G, but still very large and deep, with the sonority preferred by the modern American school. 1-1/4GM / Deep / 27.50 mm / Medium thin, well rounded. / .319" / 800S / Same rim and cup as No.1-1/4G, but with a larger throat and backbore for large, powerful sound, well in tune. 1-1/2G

Bach Standard Series Large Shank Trombone Mouthpiece In Gold 2G $169.99 The Bach Standard Series Large Shank Trombone Mouthpiece in Gold is available in the following model/sizes: 1G, 1-1/4G, 1-1/4GM, 1-1/2G, 1-1/2GM, 2G, 3G, 4G, 4GB, 5G, 5GL, 5 GB, 5GS, 6-1/2A, 6-1/2AL, and 6-1/2AMWhen selecting a mouthpiece, a brass instrumentalist should choose one with a solid, compact tone of large volume. A carefully selected Bach mouthpiece can help improve a players embouchure, attack, tonguing and endurance.Because no two players have the same lip or tooth formation, what is perfect for one may be entirely unsuitable for the other. Bach produces many different models so that each player can find the best mouthpiece for their individual embouchure.A mouthpiece consists of the rim, cup, throat, and backbore. Bringing these various components into proper relationship constitutes the art of superior mouthpiece production.In choosing a special combination of rim, cup, throat and backbore designs, consider the effects of each.RIM Wide: Increases enduranceNarrow: Improves flexibility, rangeRound: Improves comfortSharp: Increases brilliance, precision of attackCUPLarge: Increases volume, controlSmall: Relieves fatigue, weaknessDeep: Darkens tone, especially in low registerShallow: Brightens tone, improves response, especially in high registerTHROAT Large: Increases blowing freedom, volume, tone; sharpens high register (largest sizes also sharpen low registerSmall: Increases resistance, endurance, brilliance; flattens high registerBACKBOREExcept in general terms, it isnt possible to identify backbores by size because they also vary in shape. Various combinations of size and shape make the tone darker or more brilliant, raise or lower the pitch in one or more registers, increase or decrease volume. In each instance, the effect depends in part on the throat and cup used in combination with the backbore.Key To Trumpet, Cornet and Fluegelhorn Model Numbers: Bach trumpet, cornet and fluegelhorn mouthpieces have been numbered in an orderly progression from the largest to the smallest diameters and from the deepest to the most shallow cup, each with a choice of rim designs.Rim shape is described for each indi- vidual model throughout the catalog. Model numbers progress numerically from model #1 with the largest cup diameter, to model #20C with the smallest cup diameter.Model No. / Depth of Cup / Approx. Cup Dia. / Rim Shape / Throat / Backbore / Description 1G / Deep / 28.00 mm / Medium thin, well rounded. / .319" / 800S / Extra large and deep for extraordinary power and depth of tone. Among the largest and most powerful bass trombone mouthpieces produced today. 1-1/4G / Deep / 27.50 mm / Medium thin, well rounded. / .276" / 429 / Cup diameter is smaller than No.1G, but still very large and deep, with the sonority preferred by the modern American school. 1-1/4GM / Deep / 27.50 mm / Medium thin, well rounded. / .319" / 800S / Same rim and cup as No.1-1/4G, but with a larger throat and backbore for large, powerful sound, well in tune. 1-1/2G

Bach Standard Series Large Shank Trombone Mouthpiece In Gold 1-1/4Gm $169.99 The Bach Standard Series Large Shank Trombone Mouthpiece in Gold is available in the following model/sizes: 1G, 1-1/4G, 1-1/4GM, 1-1/2G, 1-1/2GM, 2G, 3G, 4G, 4GB, 5G, 5GL, 5 GB, 5GS, 6-1/2A, 6-1/2AL, and 6-1/2AMWhen selecting a mouthpiece, a brass instrumentalist should choose one with a solid, compact tone of large volume. A carefully selected Bach mouthpiece can help improve a players embouchure, attack, tonguing and endurance.Because no two players have the same lip or tooth formation, what is perfect for one may be entirely unsuitable for the other. Bach produces many different models so that each player can find the best mouthpiece for their individual embouchure.A mouthpiece consists of the rim, cup, throat, and backbore. Bringing these various components into proper relationship constitutes the art of superior mouthpiece production.In choosing a special combination of rim, cup, throat and backbore designs, consider the effects of each.RIM Wide: Increases enduranceNarrow: Improves flexibility, rangeRound: Improves comfortSharp: Increases brilliance, precision of attackCUPLarge: Increases volume, controlSmall: Relieves fatigue, weaknessDeep: Darkens tone, especially in low registerShallow: Brightens tone, improves response, especially in high registerTHROAT Large: Increases blowing freedom, volume, tone; sharpens high register (largest sizes also sharpen low registerSmall: Increases resistance, endurance, brilliance; flattens high registerBACKBOREExcept in general terms, it isnt possible to identify backbores by size because they also vary in shape. Various combinations of size and shape make the tone darker or more brilliant, raise or lower the pitch in one or more registers, increase or decrease volume. In each instance, the effect depends in part on the throat and cup used in combination with the backbore.Key To Trumpet, Cornet and Fluegelhorn Model Numbers: Bach trumpet, cornet and fluegelhorn mouthpieces have been numbered in an orderly progression from the largest to the smallest diameters and from the deepest to the most shallow cup, each with a choice of rim designs.Rim shape is described for each indi- vidual model throughout the catalog. Model numbers progress numerically from model #1 with the largest cup diameter, to model #20C with the smallest cup diameter.Model No. / Depth of Cup / Approx. Cup Dia. / Rim Shape / Throat / Backbore / Description 1G / Deep / 28.00 mm / Medium thin, well rounded. / .319" / 800S / Extra large and deep for extraordinary power and depth of tone. Among the largest and most powerful bass trombone mouthpieces produced today. 1-1/4G / Deep / 27.50 mm / Medium thin, well rounded. / .276" / 429 / Cup diameter is smaller than No.1G, but still very large and deep, with the sonority preferred by the modern American school. 1-1/4GM / Deep / 27.50 mm / Medium thin, well rounded. / .319" / 800S / Same rim and cup as No.1-1/4G, but with a larger throat and backbore for large, powerful sound, well in tune. 1-1/2G

Bach Standard Series Large Shank Trombone Mouthpiece In Gold 6-1/2A $169.99 The Bach Standard Series Large Shank Trombone Mouthpiece in Gold is available in the following model/sizes: 1G, 1-1/4G, 1-1/4GM, 1-1/2G, 1-1/2GM, 2G, 3G, 4G, 4GB, 5G, 5GL, 5 GB, 5GS, 6-1/2A, 6-1/2AL, and 6-1/2AMWhen selecting a mouthpiece, a brass instrumentalist should choose one with a solid, compact tone of large volume. A carefully selected Bach mouthpiece can help improve a players embouchure, attack, tonguing and endurance.Because no two players have the same lip or tooth formation, what is perfect for one may be entirely unsuitable for the other. Bach produces many different models so that each player can find the best mouthpiece for their individual embouchure.A mouthpiece consists of the rim, cup, throat, and backbore. Bringing these various components into proper relationship constitutes the art of superior mouthpiece production.In choosing a special combination of rim, cup, throat and backbore designs, consider the effects of each.RIM Wide: Increases enduranceNarrow: Improves flexibility, rangeRound: Improves comfortSharp: Increases brilliance, precision of attackCUPLarge: Increases volume, controlSmall: Relieves fatigue, weaknessDeep: Darkens tone, especially in low registerShallow: Brightens tone, improves response, especially in high registerTHROAT Large: Increases blowing freedom, volume, tone; sharpens high register (largest sizes also sharpen low registerSmall: Increases resistance, endurance, brilliance; flattens high registerBACKBOREExcept in general terms, it isnt possible to identify backbores by size because they also vary in shape. Various combinations of size and shape make the tone darker or more brilliant, raise or lower the pitch in one or more registers, increase or decrease volume. In each instance, the effect depends in part on the throat and cup used in combination with the backbore.Key To Trumpet, Cornet and Fluegelhorn Model Numbers: Bach trumpet, cornet and fluegelhorn mouthpieces have been numbered in an orderly progression from the largest to the smallest diameters and from the deepest to the most shallow cup, each with a choice of rim designs.Rim shape is described for each indi- vidual model throughout the catalog. Model numbers progress numerically from model #1 with the largest cup diameter, to model #20C with the smallest cup diameter.Model No. / Depth of Cup / Approx. Cup Dia. / Rim Shape / Throat / Backbore / Description 1G / Deep / 28.00 mm / Medium thin, well rounded. / .319" / 800S / Extra large and deep for extraordinary power and depth of tone. Among the largest and most powerful bass trombone mouthpieces produced today. 1-1/4G / Deep / 27.50 mm / Medium thin, well rounded. / .276" / 429 / Cup diameter is smaller than No.1G, but still very large and deep, with the sonority preferred by the modern American school. 1-1/4GM / Deep / 27.50 mm / Medium thin, well rounded. / .319" / 800S / Same rim and cup as No.1-1/4G, but with a larger throat and backbore for large, powerful sound, well in tune. 1-1/2G

Bach Standard Series Large Shank Trombone Mouthpiece In Gold 6-1/2Am $169.99 The Bach Standard Series Large Shank Trombone Mouthpiece in Gold is available in the following model/sizes: 1G, 1-1/4G, 1-1/4GM, 1-1/2G, 1-1/2GM, 2G, 3G, 4G, 4GB, 5G, 5GL, 5 GB, 5GS, 6-1/2A, 6-1/2AL, and 6-1/2AMWhen selecting a mouthpiece, a brass instrumentalist should choose one with a solid, compact tone of large volume. A carefully selected Bach mouthpiece can help improve a players embouchure, attack, tonguing and endurance.Because no two players have the same lip or tooth formation, what is perfect for one may be entirely unsuitable for the other. Bach produces many different models so that each player can find the best mouthpiece for their individual embouchure.A mouthpiece consists of the rim, cup, throat, and backbore. Bringing these various components into proper relationship constitutes the art of superior mouthpiece production.In choosing a special combination of rim, cup, throat and backbore designs, consider the effects of each.RIM Wide: Increases enduranceNarrow: Improves flexibility, rangeRound: Improves comfortSharp: Increases brilliance, precision of attackCUPLarge: Increases volume, controlSmall: Relieves fatigue, weaknessDeep: Darkens tone, especially in low registerShallow: Brightens tone, improves response, especially in high registerTHROAT Large: Increases blowing freedom, volume, tone; sharpens high register (largest sizes also sharpen low registerSmall: Increases resistance, endurance, brilliance; flattens high registerBACKBOREExcept in general terms, it isnt possible to identify backbores by size because they also vary in shape. Various combinations of size and shape make the tone darker or more brilliant, raise or lower the pitch in one or more registers, increase or decrease volume. In each instance, the effect depends in part on the throat and cup used in combination with the backbore.Key To Trumpet, Cornet and Fluegelhorn Model Numbers: Bach trumpet, cornet and fluegelhorn mouthpieces have been numbered in an orderly progression from the largest to the smallest diameters and from the deepest to the most shallow cup, each with a choice of rim designs.Rim shape is described for each indi- vidual model throughout the catalog. Model numbers progress numerically from model #1 with the largest cup diameter, to model #20C with the smallest cup diameter.Model No. / Depth of Cup / Approx. Cup Dia. / Rim Shape / Throat / Backbore / Description 1G / Deep / 28.00 mm / Medium thin, well rounded. / .319" / 800S / Extra large and deep for extraordinary power and depth of tone. Among the largest and most powerful bass trombone mouthpieces produced today. 1-1/4G / Deep / 27.50 mm / Medium thin, well rounded. / .276" / 429 / Cup diameter is smaller than No.1G, but still very large and deep, with the sonority preferred by the modern American school. 1-1/4GM / Deep / 27.50 mm / Medium thin, well rounded. / .319" / 800S / Same rim and cup as No.1-1/4G, but with a larger throat and backbore for large, powerful sound, well in tune. 1-1/2G

Bach Standard Series Large Shank Trombone Mouthpiece In Gold 1-1/4G $169.99 The Bach Standard Series Large Shank Trombone Mouthpiece in Gold is available in the following model/sizes: 1G, 1-1/4G, 1-1/4GM, 1-1/2G, 1-1/2GM, 2G, 3G, 4G, 4GB, 5G, 5GL, 5 GB, 5GS, 6-1/2A, 6-1/2AL, and 6-1/2AMWhen selecting a mouthpiece, a brass instrumentalist should choose one with a solid, compact tone of large volume. A carefully selected Bach mouthpiece can help improve a players embouchure, attack, tonguing and endurance.Because no two players have the same lip or tooth formation, what is perfect for one may be entirely unsuitable for the other. Bach produces many different models so that each player can find the best mouthpiece for their individual embouchure.A mouthpiece consists of the rim, cup, throat, and backbore. Bringing these various components into proper relationship constitutes the art of superior mouthpiece production.In choosing a special combination of rim, cup, throat and backbore designs, consider the effects of each.RIM Wide: Increases enduranceNarrow: Improves flexibility, rangeRound: Improves comfortSharp: Increases brilliance, precision of attackCUPLarge: Increases volume, controlSmall: Relieves fatigue, weaknessDeep: Darkens tone, especially in low registerShallow: Brightens tone, improves response, especially in high registerTHROAT Large: Increases blowing freedom, volume, tone; sharpens high register (largest sizes also sharpen low registerSmall: Increases resistance, endurance, brilliance; flattens high registerBACKBOREExcept in general terms, it isnt possible to identify backbores by size because they also vary in shape. Various combinations of size and shape make the tone darker or more brilliant, raise or lower the pitch in one or more registers, increase or decrease volume. In each instance, the effect depends in part on the throat and cup used in combination with the backbore.Key To Trumpet, Cornet and Fluegelhorn Model Numbers: Bach trumpet, cornet and fluegelhorn mouthpieces have been numbered in an orderly progression from the largest to the smallest diameters and from the deepest to the most shallow cup, each with a choice of rim designs.Rim shape is described for each indi- vidual model throughout the catalog. Model numbers progress numerically from model #1 with the largest cup diameter, to model #20C with the smallest cup diameter.Model No. / Depth of Cup / Approx. Cup Dia. / Rim Shape / Throat / Backbore / Description 1G / Deep / 28.00 mm / Medium thin, well rounded. / .319" / 800S / Extra large and deep for extraordinary power and depth of tone. Among the largest and most powerful bass trombone mouthpieces produced today. 1-1/4G / Deep / 27.50 mm / Medium thin, well rounded. / .276" / 429 / Cup diameter is smaller than No.1G, but still very large and deep, with the sonority preferred by the modern American school. 1-1/4GM / Deep / 27.50 mm / Medium thin, well rounded. / .319" / 800S / Same rim and cup as No.1-1/4G, but with a larger throat and backbore for large, powerful sound, well in tune. 1-1/2G

Bach Standard Series Large Shank Trombone Mouthpiece In Gold 1-1/2Gm $169.99 The Bach Standard Series Large Shank Trombone Mouthpiece in Gold is available in the following model/sizes: 1G, 1-1/4G, 1-1/4GM, 1-1/2G, 1-1/2GM, 2G, 3G, 4G, 4GB, 5G, 5GL, 5 GB, 5GS, 6-1/2A, 6-1/2AL, and 6-1/2AMWhen selecting a mouthpiece, a brass instrumentalist should choose one with a solid, compact tone of large volume. A carefully selected Bach mouthpiece can help improve a players embouchure, attack, tonguing and endurance.Because no two players have the same lip or tooth formation, what is perfect for one may be entirely unsuitable for the other. Bach produces many different models so that each player can find the best mouthpiece for their individual embouchure.A mouthpiece consists of the rim, cup, throat, and backbore. Bringing these various components into proper relationship constitutes the art of superior mouthpiece production.In choosing a special combination of rim, cup, throat and backbore designs, consider the effects of each.RIM Wide: Increases enduranceNarrow: Improves flexibility, rangeRound: Improves comfortSharp: Increases brilliance, precision of attackCUPLarge: Increases volume, controlSmall: Relieves fatigue, weaknessDeep: Darkens tone, especially in low registerShallow: Brightens tone, improves response, especially in high registerTHROAT Large: Increases blowing freedom, volume, tone; sharpens high register (largest sizes also sharpen low registerSmall: Increases resistance, endurance, brilliance; flattens high registerBACKBOREExcept in general terms, it isnt possible to identify backbores by size because they also vary in shape. Various combinations of size and shape make the tone darker or more brilliant, raise or lower the pitch in one or more registers, increase or decrease volume. In each instance, the effect depends in part on the throat and cup used in combination with the backbore.Key To Trumpet, Cornet and Fluegelhorn Model Numbers: Bach trumpet, cornet and fluegelhorn mouthpieces have been numbered in an orderly progression from the largest to the smallest diameters and from the deepest to the most shallow cup, each with a choice of rim designs.Rim shape is described for each indi- vidual model throughout the catalog. Model numbers progress numerically from model #1 with the largest cup diameter, to model #20C with the smallest cup diameter.Model No. / Depth of Cup / Approx. Cup Dia. / Rim Shape / Throat / Backbore / Description 1G / Deep / 28.00 mm / Medium thin, well rounded. / .319" / 800S / Extra large and deep for extraordinary power and depth of tone. Among the largest and most powerful bass trombone mouthpieces produced today. 1-1/4G / Deep / 27.50 mm / Medium thin, well rounded. / .276" / 429 / Cup diameter is smaller than No.1G, but still very large and deep, with the sonority preferred by the modern American school. 1-1/4GM / Deep / 27.50 mm / Medium thin, well rounded. / .319" / 800S / Same rim and cup as No.1-1/4G, but with a larger throat and backbore for large, powerful sound, well in tune. 1-1/2G

Bach Standard Series Large Shank Trombone Mouthpiece In Gold 1G $169.99 The Bach Standard Series Large Shank Trombone Mouthpiece in Gold is available in the following model/sizes: 1G, 1-1/4G, 1-1/4GM, 1-1/2G, 1-1/2GM, 2G, 3G, 4G, 4GB, 5G, 5GL, 5 GB, 5GS, 6-1/2A, 6-1/2AL, and 6-1/2AMWhen selecting a mouthpiece, a brass instrumentalist should choose one with a solid, compact tone of large volume. A carefully selected Bach mouthpiece can help improve a players embouchure, attack, tonguing and endurance.Because no two players have the same lip or tooth formation, what is perfect for one may be entirely unsuitable for the other. Bach produces many different models so that each player can find the best mouthpiece for their individual embouchure.A mouthpiece consists of the rim, cup, throat, and backbore. Bringing these various components into proper relationship constitutes the art of superior mouthpiece production.In choosing a special combination of rim, cup, throat and backbore designs, consider the effects of each.RIM Wide: Increases enduranceNarrow: Improves flexibility, rangeRound: Improves comfortSharp: Increases brilliance, precision of attackCUPLarge: Increases volume, controlSmall: Relieves fatigue, weaknessDeep: Darkens tone, especially in low registerShallow: Brightens tone, improves response, especially in high registerTHROAT Large: Increases blowing freedom, volume, tone; sharpens high register (largest sizes also sharpen low registerSmall: Increases resistance, endurance, brilliance; flattens high registerBACKBOREExcept in general terms, it isnt possible to identify backbores by size because they also vary in shape. Various combinations of size and shape make the tone darker or more brilliant, raise or lower the pitch in one or more registers, increase or decrease volume. In each instance, the effect depends in part on the throat and cup used in combination with the backbore.Key To Trumpet, Cornet and Fluegelhorn Model Numbers: Bach trumpet, cornet and fluegelhorn mouthpieces have been numbered in an orderly progression from the largest to the smallest diameters and from the deepest to the most shallow cup, each with a choice of rim designs.Rim shape is described for each indi- vidual model throughout the catalog. Model numbers progress numerically from model #1 with the largest cup diameter, to model #20C with the smallest cup diameter.Model No. / Depth of Cup / Approx. Cup Dia. / Rim Shape / Throat / Backbore / Description 1G / Deep / 28.00 mm / Medium thin, well rounded. / .319" / 800S / Extra large and deep for extraordinary power and depth of tone. Among the largest and most powerful bass trombone mouthpieces produced today. 1-1/4G / Deep / 27.50 mm / Medium thin, well rounded. / .276" / 429 / Cup diameter is smaller than No.1G, but still very large and deep, with the sonority preferred by the modern American school. 1-1/4GM / Deep / 27.50 mm / Medium thin, well rounded. / .319" / 800S / Same rim and cup as No.1-1/4G, but with a larger throat and backbore for large, powerful sound, well in tune. 1-1/2G

Bach Standard Series Large Shank Trombone Mouthpiece In Gold 5G $169.99 The Bach Standard Series Large Shank Trombone Mouthpiece in Gold is available in the following model/sizes: 1G, 1-1/4G, 1-1/4GM, 1-1/2G, 1-1/2GM, 2G, 3G, 4G, 4GB, 5G, 5GL, 5 GB, 5GS, 6-1/2A, 6-1/2AL, and 6-1/2AMWhen selecting a mouthpiece, a brass instrumentalist should choose one with a solid, compact tone of large volume. A carefully selected Bach mouthpiece can help improve a players embouchure, attack, tonguing and endurance.Because no two players have the same lip or tooth formation, what is perfect for one may be entirely unsuitable for the other. Bach produces many different models so that each player can find the best mouthpiece for their individual embouchure.A mouthpiece consists of the rim, cup, throat, and backbore. Bringing these various components into proper relationship constitutes the art of superior mouthpiece production.In choosing a special combination of rim, cup, throat and backbore designs, consider the effects of each.RIM Wide: Increases enduranceNarrow: Improves flexibility, rangeRound: Improves comfortSharp: Increases brilliance, precision of attackCUPLarge: Increases volume, controlSmall: Relieves fatigue, weaknessDeep: Darkens tone, especially in low registerShallow: Brightens tone, improves response, especially in high registerTHROAT Large: Increases blowing freedom, volume, tone; sharpens high register (largest sizes also sharpen low registerSmall: Increases resistance, endurance, brilliance; flattens high registerBACKBOREExcept in general terms, it isnt possible to identify backbores by size because they also vary in shape. Various combinations of size and shape make the tone darker or more brilliant, raise or lower the pitch in one or more registers, increase or decrease volume. In each instance, the effect depends in part on the throat and cup used in combination with the backbore.Key To Trumpet, Cornet and Fluegelhorn Model Numbers: Bach trumpet, cornet and fluegelhorn mouthpieces have been numbered in an orderly progression from the largest to the smallest diameters and from the deepest to the most shallow cup, each with a choice of rim designs.Rim shape is described for each indi- vidual model throughout the catalog. Model numbers progress numerically from model #1 with the largest cup diameter, to model #20C with the smallest cup diameter.Model No. / Depth of Cup / Approx. Cup Dia. / Rim Shape / Throat / Backbore / Description 1G / Deep / 28.00 mm / Medium thin, well rounded. / .319" / 800S / Extra large and deep for extraordinary power and depth of tone. Among the largest and most powerful bass trombone mouthpieces produced today. 1-1/4G / Deep / 27.50 mm / Medium thin, well rounded. / .276" / 429 / Cup diameter is smaller than No.1G, but still very large and deep, with the sonority preferred by the modern American school. 1-1/4GM / Deep / 27.50 mm / Medium thin, well rounded. / .319" / 800S / Same rim and cup as No.1-1/4G, but with a larger throat and backbore for large, powerful sound, well in tune. 1-1/2G

Bach Standard Series Large Shank Trombone Mouthpiece In Gold 6-1/2Al $169.99 The Bach Standard Series Large Shank Trombone Mouthpiece in Gold is available in the following model/sizes: 1G, 1-1/4G, 1-1/4GM, 1-1/2G, 1-1/2GM, 2G, 3G, 4G, 4GB, 5G, 5GL, 5 GB, 5GS, 6-1/2A, 6-1/2AL, and 6-1/2AMWhen selecting a mouthpiece, a brass instrumentalist should choose one with a solid, compact tone of large volume. A carefully selected Bach mouthpiece can help improve a players embouchure, attack, tonguing and endurance.Because no two players have the same lip or tooth formation, what is perfect for one may be entirely unsuitable for the other. Bach produces many different models so that each player can find the best mouthpiece for their individual embouchure.A mouthpiece consists of the rim, cup, throat, and backbore. Bringing these various components into proper relationship constitutes the art of superior mouthpiece production.In choosing a special combination of rim, cup, throat and backbore designs, consider the effects of each.RIM Wide: Increases enduranceNarrow: Improves flexibility, rangeRound: Improves comfortSharp: Increases brilliance, precision of attackCUPLarge: Increases volume, controlSmall: Relieves fatigue, weaknessDeep: Darkens tone, especially in low registerShallow: Brightens tone, improves response, especially in high registerTHROAT Large: Increases blowing freedom, volume, tone; sharpens high register (largest sizes also sharpen low registerSmall: Increases resistance, endurance, brilliance; flattens high registerBACKBOREExcept in general terms, it isnt possible to identify backbores by size because they also vary in shape. Various combinations of size and shape make the tone darker or more brilliant, raise or lower the pitch in one or more registers, increase or decrease volume. In each instance, the effect depends in part on the throat and cup used in combination with the backbore.Key To Trumpet, Cornet and Fluegelhorn Model Numbers: Bach trumpet, cornet and fluegelhorn mouthpieces have been numbered in an orderly progression from the largest to the smallest diameters and from the deepest to the most shallow cup, each with a choice of rim designs.Rim shape is described for each indi- vidual model throughout the catalog. Model numbers progress numerically from model #1 with the largest cup diameter, to model #20C with the smallest cup diameter.Model No. / Depth of Cup / Approx. Cup Dia. / Rim Shape / Throat / Backbore / Description 1G / Deep / 28.00 mm / Medium thin, well rounded. / .319" / 800S / Extra large and deep for extraordinary power and depth of tone. Among the largest and most powerful bass trombone mouthpieces produced today. 1-1/4G / Deep / 27.50 mm / Medium thin, well rounded. / .276" / 429 / Cup diameter is smaller than No.1G, but still very large and deep, with the sonority preferred by the modern American school. 1-1/4GM / Deep / 27.50 mm / Medium thin, well rounded. / .319" / 800S / Same rim and cup as No.1-1/4G, but with a larger throat and backbore for large, powerful sound, well in tune. 1-1/2G

Bach Standard Series Large Shank Trombone Mouthpiece In Gold 1-1/2G $169.99 The Bach Standard Series Large Shank Trombone Mouthpiece in Gold is available in the following model/sizes: 1G, 1-1/4G, 1-1/4GM, 1-1/2G, 1-1/2GM, 2G, 3G, 4G, 4GB, 5G, 5GL, 5 GB, 5GS, 6-1/2A, 6-1/2AL, and 6-1/2AMWhen selecting a mouthpiece, a brass instrumentalist should choose one with a solid, compact tone of large volume. A carefully selected Bach mouthpiece can help improve a players embouchure, attack, tonguing and endurance.Because no two players have the same lip or tooth formation, what is perfect for one may be entirely unsuitable for the other. Bach produces many different models so that each player can find the best mouthpiece for their individual embouchure.A mouthpiece consists of the rim, cup, throat, and backbore. Bringing these various components into proper relationship constitutes the art of superior mouthpiece production.In choosing a special combination of rim, cup, throat and backbore designs, consider the effects of each.RIM Wide: Increases enduranceNarrow: Improves flexibility, rangeRound: Improves comfortSharp: Increases brilliance, precision of attackCUPLarge: Increases volume, controlSmall: Relieves fatigue, weaknessDeep: Darkens tone, especially in low registerShallow: Brightens tone, improves response, especially in high registerTHROAT Large: Increases blowing freedom, volume, tone; sharpens high register (largest sizes also sharpen low registerSmall: Increases resistance, endurance, brilliance; flattens high registerBACKBOREExcept in general terms, it isnt possible to identify backbores by size because they also vary in shape. Various combinations of size and shape make the tone darker or more brilliant, raise or lower the pitch in one or more registers, increase or decrease volume. In each instance, the effect depends in part on the throat and cup used in combination with the backbore.Key To Trumpet, Cornet and Fluegelhorn Model Numbers: Bach trumpet, cornet and fluegelhorn mouthpieces have been numbered in an orderly progression from the largest to the smallest diameters and from the deepest to the most shallow cup, each with a choice of rim designs.Rim shape is described for each indi- vidual model throughout the catalog. Model numbers progress numerically from model #1 with the largest cup diameter, to model #20C with the smallest cup diameter.Model No. / Depth of Cup / Approx. Cup Dia. / Rim Shape / Throat / Backbore / Description 1G / Deep / 28.00 mm / Medium thin, well rounded. / .319" / 800S / Extra large and deep for extraordinary power and depth of tone. Among the largest and most powerful bass trombone mouthpieces produced today. 1-1/4G / Deep / 27.50 mm / Medium thin, well rounded. / .276" / 429 / Cup diameter is smaller than No.1G, but still very large and deep, with the sonority preferred by the modern American school. 1-1/4GM / Deep / 27.50 mm / Medium thin, well rounded. / .319" / 800S / Same rim and cup as No.1-1/4G, but with a larger throat and backbore for large, powerful sound, well in tune. 1-1/2G

Bach Standard Series Large Shank Trombone Mouthpiece In Gold 3G $169.99 The Bach Standard Series Large Shank Trombone Mouthpiece in Gold is available in the following model/sizes: 1G, 1-1/4G, 1-1/4GM, 1-1/2G, 1-1/2GM, 2G, 3G, 4G, 4GB, 5G, 5GL, 5 GB, 5GS, 6-1/2A, 6-1/2AL, and 6-1/2AMWhen selecting a mouthpiece, a brass instrumentalist should choose one with a solid, compact tone of large volume. A carefully selected Bach mouthpiece can help improve a players embouchure, attack, tonguing and endurance.Because no two players have the same lip or tooth formation, what is perfect for one may be entirely unsuitable for the other. Bach produces many different models so that each player can find the best mouthpiece for their individual embouchure.A mouthpiece consists of the rim, cup, throat, and backbore. Bringing these various components into proper relationship constitutes the art of superior mouthpiece production.In choosing a special combination of rim, cup, throat and backbore designs, consider the effects of each.RIM Wide: Increases enduranceNarrow: Improves flexibility, rangeRound: Improves comfortSharp: Increases brilliance, precision of attackCUPLarge: Increases volume, controlSmall: Relieves fatigue, weaknessDeep: Darkens tone, especially in low registerShallow: Brightens tone, improves response, especially in high registerTHROAT Large: Increases blowing freedom, volume, tone; sharpens high register (largest sizes also sharpen low registerSmall: Increases resistance, endurance, brilliance; flattens high registerBACKBOREExcept in general terms, it isnt possible to identify backbores by size because they also vary in shape. Various combinations of size and shape make the tone darker or more brilliant, raise or lower the pitch in one or more registers, increase or decrease volume. In each instance, the effect depends in part on the throat and cup used in combination with the backbore.Key To Trumpet, Cornet and Fluegelhorn Model Numbers: Bach trumpet, cornet and fluegelhorn mouthpieces have been numbered in an orderly progression from the largest to the smallest diameters and from the deepest to the most shallow cup, each with a choice of rim designs.Rim shape is described for each indi- vidual model throughout the catalog. Model numbers progress numerically from model #1 with the largest cup diameter, to model #20C with the smallest cup diameter.Model No. / Depth of Cup / Approx. Cup Dia. / Rim Shape / Throat / Backbore / Description 1G / Deep / 28.00 mm / Medium thin, well rounded. / .319" / 800S / Extra large and deep for extraordinary power and depth of tone. Among the largest and most powerful bass trombone mouthpieces produced today. 1-1/4G / Deep / 27.50 mm / Medium thin, well rounded. / .276" / 429 / Cup diameter is smaller than No.1G, but still very large and deep, with the sonority preferred by the modern American school. 1-1/4GM / Deep / 27.50 mm / Medium thin, well rounded. / .319" / 800S / Same rim and cup as No.1-1/4G, but with a larger throat and backbore for large, powerful sound, well in tune. 1-1/2G

Bach Standard Series Flugelhorn Mouthpiece in Silver Group II 12C $43.99 The Bach Standard Series Flugelhorn Mouthpiece in Silver Group II includes the following mouthpiece models: 9, 9a, 9b, 9c, 9d, 10, 10B, 10-1/2a, 10-1/2d, 10-1/2e, 10-1/2dw, 10-1/2ew, 10-3/4a, 10-3/4cw, 10-3/4ew, 10-3/4cw, 11a, 11b, 11c, 11d, 11dw, 11ew, 11-1/2a, 11-1/2c, 11-3/4c, 12, 12b, 12c, 12cw, 17, 17c, 18, 18c, 20cWhen selecting a mouthpiece, a brass instrumentalist should choose one with a solid, compact tone of large volume. A carefully selected Bach mouthpiece can help improve a players embouchure, attack, tonguing and endurance.Because no two players have the same lip or tooth formation, what is perfect for one may be entirely unsuitable for the other. Bach produces many different models so that each player can find the best mouthpiece for their individual embouchure.A mouthpiece consists of the rim, cup, throat, and backbore. Bringing these various components into proper relationship constitutes the art of superior mouthpiece production.In choosing a special combination of rim, cup, throat and backbore designs, consider the effects of each.RIMWide: Increases enduranceNarrow: Improves flexibility, rangeRound: Improves comfortSharp: Increases brilliance, precision of attackCUPLarge: Increases volume, controlSmall: Relieves fatigue, weaknessDeep: Darkens tone, especially in low registerShallow: Brightens tone, improves response, especially in high registerTHROATLarge: Increases blowing freedom, volume, tone; sharpens high register (largest sizes also sharpen low registerSmall: Increases resistance, endurance, brilliance; flattens high registerBACKBOREExcept in general terms, it isnt possible to identify backbores by size because they also vary in shape. Various combinations of size and shape make the tone darker or more brilliant, raise or lower the pitch in one or more registers, increase or decrease volume. In each instance, the effect depends in part on the throat and cup used in combination with the backbore.Key To Trumpet, Cornet and Fluegelhorn Model Numbers:Bach trumpet, cornet and fluegelhorn mouthpieces have been numbered in an orderly progression from the largest to the smallest diameters and from the deepest to the most shallow cup, each with a choice of rim designs.Rim shape is described for each indi- vidual model throughout the catalog. Model numbers progress numerically from model #1 with the largest cup diameter, to model #20C with the smallest cup diameter.Cup depths are notated with letters. A cups are the deepest; standard cups have no letter designation; progressively shallower cups are marked B through F.A Models have very deep cups, #24 backbores, and emit a large, dark sound.Models with no letter designation have deep cups, #10 backbores, and produce a rich, full, clear tone.B Models have medium deep cups, #7 backbores, and have a full,Teutonic tone with great volume.C Models have medium cups, #10 backbores, and are preferred by many players that alternate between B, C and D trumpet.D Models have medium-shallow cups

Bach Standard Series Flugelhorn Mouthpiece in Silver Group II 11C $43.99 The Bach Standard Series Flugelhorn Mouthpiece in Silver Group II includes the following mouthpiece models: 9, 9a, 9b, 9c, 9d, 10, 10B, 10-1/2a, 10-1/2d, 10-1/2e, 10-1/2dw, 10-1/2ew, 10-3/4a, 10-3/4cw, 10-3/4ew, 10-3/4cw, 11a, 11b, 11c, 11d, 11dw, 11ew, 11-1/2a, 11-1/2c, 11-3/4c, 12, 12b, 12c, 12cw, 17, 17c, 18, 18c, 20cWhen selecting a mouthpiece, a brass instrumentalist should choose one with a solid, compact tone of large volume. A carefully selected Bach mouthpiece can help improve a players embouchure, attack, tonguing and endurance.Because no two players have the same lip or tooth formation, what is perfect for one may be entirely unsuitable for the other. Bach produces many different models so that each player can find the best mouthpiece for their individual embouchure.A mouthpiece consists of the rim, cup, throat, and backbore. Bringing these various components into proper relationship constitutes the art of superior mouthpiece production.In choosing a special combination of rim, cup, throat and backbore designs, consider the effects of each.RIMWide: Increases enduranceNarrow: Improves flexibility, rangeRound: Improves comfortSharp: Increases brilliance, precision of attackCUPLarge: Increases volume, controlSmall: Relieves fatigue, weaknessDeep: Darkens tone, especially in low registerShallow: Brightens tone, improves response, especially in high registerTHROATLarge: Increases blowing freedom, volume, tone; sharpens high register (largest sizes also sharpen low registerSmall: Increases resistance, endurance, brilliance; flattens high registerBACKBOREExcept in general terms, it isnt possible to identify backbores by size because they also vary in shape. Various combinations of size and shape make the tone darker or more brilliant, raise or lower the pitch in one or more registers, increase or decrease volume. In each instance, the effect depends in part on the throat and cup used in combination with the backbore.Key To Trumpet, Cornet and Fluegelhorn Model Numbers:Bach trumpet, cornet and fluegelhorn mouthpieces have been numbered in an orderly progression from the largest to the smallest diameters and from the deepest to the most shallow cup, each with a choice of rim designs.Rim shape is described for each indi- vidual model throughout the catalog. Model numbers progress numerically from model #1 with the largest cup diameter, to model #20C with the smallest cup diameter.Cup depths are notated with letters. A cups are the deepest; standard cups have no letter designation; progressively shallower cups are marked B through F.A Models have very deep cups, #24 backbores, and emit a large, dark sound.Models with no letter designation have deep cups, #10 backbores, and produce a rich, full, clear tone.B Models have medium deep cups, #7 backbores, and have a full,Teutonic tone with great volume.C Models have medium cups, #10 backbores, and are preferred by many players that alternate between B, C and D trumpet.D Models have medium-shallow cups

Bach Standard Series Flugelhorn Mouthpiece In Gold Group I 6Bm $129.99 The Bach Standard Series Flugelhorn Mouthpiece in Gold Group I includes the following mouthpiece models: 1, 1B, 1CW, 1C, 1D, 1E, 1X, 1-1/2B, 1-1/4, 2, 2C, 2-3/4, 3, 3B, 3CW, 3D, 3E, 3F, 5A, 5B, 5C, 5MV, 5V, 6, 6B, 6BM, 6C, 7, 7A, 7BW, 7C, 7CW, 7D, 7DW, 7E, 7EW, 8, 8B, 8C, 8-1/2, 8-1/2A, 8-1/2B, 8-1/2C, 8-3/4, 8-3/4C.When selecting a mouthpiece, a brass instrumentalist should choose one with a solid, compact tone of large volume. A carefully selected Bach mouthpiece can help improve a players embouchure, attack, tonguing and endurance.Because no two players have the same lip or tooth formation, what is perfect for one may be entirely unsuitable for the other. Bach produces many different models so that each player can find the best mouthpiece for their individual embouchure.A mouthpiece consists of the rim, cup, throat, and backbore. Bringing these various components into proper relationship constitutes the art of superior mouthpiece production.In choosing a special combination of rim, cup, throat and backbore designs, consider the effects of each.RIMWide: Increases enduranceNarrow: Improves flexibility, rangeRound: Improves comfortSharp: Increases brilliance, precision of attackCUPLarge: Increases volume, controlSmall: Relieves fatigue, weaknessDeep: Darkens tone, especially in low registerShallow: Brightens tone, improves response, especially in high registerTHROATLarge: Increases blowing freedom, volume, tone; sharpens high register (largest sizes also sharpen low registerSmall: Increases resistance, endurance, brilliance; flattens high registerBACKBOREExcept in general terms, it isnt possible to identify backbores by size because they also vary in shape. Various combinations of size and shape make the tone darker or more brilliant, raise or lower the pitch in one or more registers, increase or decrease volume. In each instance, the effect depends in part on the throat and cup used in combination with the backbore.Key To Trumpet, Cornet and Fluegelhorn Model Numbers:Bach trumpet, cornet and fluegelhorn mouthpieces have been numbered in an orderly progression from the largest to the smallest diameters and from the deepest to the most shallow cup, each with a choice of rim designs.Rim shape is described for each indi- vidual model throughout the catalog. Model numbers progress numerically from model #1 with the largest cup diameter, to model #20C with the smallest cup diameter.Cup depths are notated with letters. A cups are the deepest; standard cups have no letter designation; progressively shallower cups are marked B through F.A Models have very deep cups, #24 backbores, and emit a large, dark sound.Models with no letter designation have deep cups, #10 backbores, and produce a rich, full, clear tone.B Models have medium deep cups, #7 backbores, and have a full,Teutonic tone with great volume.C Models have medium cups, #10 backbores, and are preferred by many players that alternate between B, C and D trumpet.D Models have medium-shallow cups, #7

Bach Standard Series Flugelhorn Mouthpiece In Gold Group I 7D $129.99 The Bach Standard Series Flugelhorn Mouthpiece in Gold Group I includes the following mouthpiece models: 1, 1B, 1CW, 1C, 1D, 1E, 1X, 1-1/2B, 1-1/4, 2, 2C, 2-3/4, 3, 3B, 3CW, 3D, 3E, 3F, 5A, 5B, 5C, 5MV, 5V, 6, 6B, 6BM, 6C, 7, 7A, 7BW, 7C, 7CW, 7D, 7DW, 7E, 7EW, 8, 8B, 8C, 8-1/2, 8-1/2A, 8-1/2B, 8-1/2C, 8-3/4, 8-3/4C.When selecting a mouthpiece, a brass instrumentalist should choose one with a solid, compact tone of large volume. A carefully selected Bach mouthpiece can help improve a players embouchure, attack, tonguing and endurance.Because no two players have the same lip or tooth formation, what is perfect for one may be entirely unsuitable for the other. Bach produces many different models so that each player can find the best mouthpiece for their individual embouchure.A mouthpiece consists of the rim, cup, throat, and backbore. Bringing these various components into proper relationship constitutes the art of superior mouthpiece production.In choosing a special combination of rim, cup, throat and backbore designs, consider the effects of each.RIMWide: Increases enduranceNarrow: Improves flexibility, rangeRound: Improves comfortSharp: Increases brilliance, precision of attackCUPLarge: Increases volume, controlSmall: Relieves fatigue, weaknessDeep: Darkens tone, especially in low registerShallow: Brightens tone, improves response, especially in high registerTHROATLarge: Increases blowing freedom, volume, tone; sharpens high register (largest sizes also sharpen low registerSmall: Increases resistance, endurance, brilliance; flattens high registerBACKBOREExcept in general terms, it isnt possible to identify backbores by size because they also vary in shape. Various combinations of size and shape make the tone darker or more brilliant, raise or lower the pitch in one or more registers, increase or decrease volume. In each instance, the effect depends in part on the throat and cup used in combination with the backbore.Key To Trumpet, Cornet and Fluegelhorn Model Numbers:Bach trumpet, cornet and fluegelhorn mouthpieces have been numbered in an orderly progression from the largest to the smallest diameters and from the deepest to the most shallow cup, each with a choice of rim designs.Rim shape is described for each indi- vidual model throughout the catalog. Model numbers progress numerically from model #1 with the largest cup diameter, to model #20C with the smallest cup diameter.Cup depths are notated with letters. A cups are the deepest; standard cups have no letter designation; progressively shallower cups are marked B through F.A Models have very deep cups, #24 backbores, and emit a large, dark sound.Models with no letter designation have deep cups, #10 backbores, and produce a rich, full, clear tone.B Models have medium deep cups, #7 backbores, and have a full,Teutonic tone with great volume.C Models have medium cups, #10 backbores, and are preferred by many players that alternate between B, C and D trumpet.D Models have medium-shallow cups, #7

Bach Standard Series Flugelhorn Mouthpiece In Gold Group I 8B $129.99 The Bach Standard Series Flugelhorn Mouthpiece in Gold Group I includes the following mouthpiece models: 1, 1B, 1CW, 1C, 1D, 1E, 1X, 1-1/2B, 1-1/4, 2, 2C, 2-3/4, 3, 3B, 3CW, 3D, 3E, 3F, 5A, 5B, 5C, 5MV, 5V, 6, 6B, 6BM, 6C, 7, 7A, 7BW, 7C, 7CW, 7D, 7DW, 7E, 7EW, 8, 8B, 8C, 8-1/2, 8-1/2A, 8-1/2B, 8-1/2C, 8-3/4, 8-3/4C.When selecting a mouthpiece, a brass instrumentalist should choose one with a solid, compact tone of large volume. A carefully selected Bach mouthpiece can help improve a players embouchure, attack, tonguing and endurance.Because no two players have the same lip or tooth formation, what is perfect for one may be entirely unsuitable for the other. Bach produces many different models so that each player can find the best mouthpiece for their individual embouchure.A mouthpiece consists of the rim, cup, throat, and backbore. Bringing these various components into proper relationship constitutes the art of superior mouthpiece production.In choosing a special combination of rim, cup, throat and backbore designs, consider the effects of each.RIMWide: Increases enduranceNarrow: Improves flexibility, rangeRound: Improves comfortSharp: Increases brilliance, precision of attackCUPLarge: Increases volume, controlSmall: Relieves fatigue, weaknessDeep: Darkens tone, especially in low registerShallow: Brightens tone, improves response, especially in high registerTHROATLarge: Increases blowing freedom, volume, tone; sharpens high register (largest sizes also sharpen low registerSmall: Increases resistance, endurance, brilliance; flattens high registerBACKBOREExcept in general terms, it isnt possible to identify backbores by size because they also vary in shape. Various combinations of size and shape make the tone darker or more brilliant, raise or lower the pitch in one or more registers, increase or decrease volume. In each instance, the effect depends in part on the throat and cup used in combination with the backbore.Key To Trumpet, Cornet and Fluegelhorn Model Numbers:Bach trumpet, cornet and fluegelhorn mouthpieces have been numbered in an orderly progression from the largest to the smallest diameters and from the deepest to the most shallow cup, each with a choice of rim designs.Rim shape is described for each indi- vidual model throughout the catalog. Model numbers progress numerically from model #1 with the largest cup diameter, to model #20C with the smallest cup diameter.Cup depths are notated with letters. A cups are the deepest; standard cups have no letter designation; progressively shallower cups are marked B through F.A Models have very deep cups, #24 backbores, and emit a large, dark sound.Models with no letter designation have deep cups, #10 backbores, and produce a rich, full, clear tone.B Models have medium deep cups, #7 backbores, and have a full,Teutonic tone with great volume.C Models have medium cups, #10 backbores, and are preferred by many players that alternate between B, C and D trumpet.D Models have medium-shallow cups, #7

Bach Standard Series Flugelhorn Mouthpiece In Gold Group I 8 $129.99 The Bach Standard Series Flugelhorn Mouthpiece in Gold Group I includes the following mouthpiece models: 1, 1B, 1CW, 1C, 1D, 1E, 1X, 1-1/2B, 1-1/4, 2, 2C, 2-3/4, 3, 3B, 3CW, 3D, 3E, 3F, 5A, 5B, 5C, 5MV, 5V, 6, 6B, 6BM, 6C, 7, 7A, 7BW, 7C, 7CW, 7D, 7DW, 7E, 7EW, 8, 8B, 8C, 8-1/2, 8-1/2A, 8-1/2B, 8-1/2C, 8-3/4, 8-3/4C.When selecting a mouthpiece, a brass instrumentalist should choose one with a solid, compact tone of large volume. A carefully selected Bach mouthpiece can help improve a players embouchure, attack, tonguing and endurance.Because no two players have the same lip or tooth formation, what is perfect for one may be entirely unsuitable for the other. Bach produces many different models so that each player can find the best mouthpiece for their individual embouchure.A mouthpiece consists of the rim, cup, throat, and backbore. Bringing these various components into proper relationship constitutes the art of superior mouthpiece production.In choosing a special combination of rim, cup, throat and backbore designs, consider the effects of each.RIMWide: Increases enduranceNarrow: Improves flexibility, rangeRound: Improves comfortSharp: Increases brilliance, precision of attackCUPLarge: Increases volume, controlSmall: Relieves fatigue, weaknessDeep: Darkens tone, especially in low registerShallow: Brightens tone, improves response, especially in high registerTHROATLarge: Increases blowing freedom, volume, tone; sharpens high register (largest sizes also sharpen low registerSmall: Increases resistance, endurance, brilliance; flattens high registerBACKBOREExcept in general terms, it isnt possible to identify backbores by size because they also vary in shape. Various combinations of size and shape make the tone darker or more brilliant, raise or lower the pitch in one or more registers, increase or decrease volume. In each instance, the effect depends in part on the throat and cup used in combination with the backbore.Key To Trumpet, Cornet and Fluegelhorn Model Numbers:Bach trumpet, cornet and fluegelhorn mouthpieces have been numbered in an orderly progression from the largest to the smallest diameters and from the deepest to the most shallow cup, each with a choice of rim designs.Rim shape is described for each indi- vidual model throughout the catalog. Model numbers progress numerically from model #1 with the largest cup diameter, to model #20C with the smallest cup diameter.Cup depths are notated with letters. A cups are the deepest; standard cups have no letter designation; progressively shallower cups are marked B through F.A Models have very deep cups, #24 backbores, and emit a large, dark sound.Models with no letter designation have deep cups, #10 backbores, and produce a rich, full, clear tone.B Models have medium deep cups, #7 backbores, and have a full,Teutonic tone with great volume.C Models have medium cups, #10 backbores, and are preferred by many players that alternate between B, C and D trumpet.D Models have medium-shallow cups, #7

Bach Standard Series Flugelhorn Mouthpiece In Gold Group I 7 $129.99 The Bach Standard Series Flugelhorn Mouthpiece in Gold Group I includes the following mouthpiece models: 1, 1B, 1CW, 1C, 1D, 1E, 1X, 1-1/2B, 1-1/4, 2, 2C, 2-3/4, 3, 3B, 3CW, 3D, 3E, 3F, 5A, 5B, 5C, 5MV, 5V, 6, 6B, 6BM, 6C, 7, 7A, 7BW, 7C, 7CW, 7D, 7DW, 7E, 7EW, 8, 8B, 8C, 8-1/2, 8-1/2A, 8-1/2B, 8-1/2C, 8-3/4, 8-3/4C.When selecting a mouthpiece, a brass instrumentalist should choose one with a solid, compact tone of large volume. A carefully selected Bach mouthpiece can help improve a players embouchure, attack, tonguing and endurance.Because no two players have the same lip or tooth formation, what is perfect for one may be entirely unsuitable for the other. Bach produces many different models so that each player can find the best mouthpiece for their individual embouchure.A mouthpiece consists of the rim, cup, throat, and backbore. Bringing these various components into proper relationship constitutes the art of superior mouthpiece production.In choosing a special combination of rim, cup, throat and backbore designs, consider the effects of each.RIMWide: Increases enduranceNarrow: Improves flexibility, rangeRound: Improves comfortSharp: Increases brilliance, precision of attackCUPLarge: Increases volume, controlSmall: Relieves fatigue, weaknessDeep: Darkens tone, especially in low registerShallow: Brightens tone, improves response, especially in high registerTHROATLarge: Increases blowing freedom, volume, tone; sharpens high register (largest sizes also sharpen low registerSmall: Increases resistance, endurance, brilliance; flattens high registerBACKBOREExcept in general terms, it isnt possible to identify backbores by size because they also vary in shape. Various combinations of size and shape make the tone darker or more brilliant, raise or lower the pitch in one or more registers, increase or decrease volume. In each instance, the effect depends in part on the throat and cup used in combination with the backbore.Key To Trumpet, Cornet and Fluegelhorn Model Numbers:Bach trumpet, cornet and fluegelhorn mouthpieces have been numbered in an orderly progression from the largest to the smallest diameters and from the deepest to the most shallow cup, each with a choice of rim designs.Rim shape is described for each indi- vidual model throughout the catalog. Model numbers progress numerically from model #1 with the largest cup diameter, to model #20C with the smallest cup diameter.Cup depths are notated with letters. A cups are the deepest; standard cups have no letter designation; progressively shallower cups are marked B through F.A Models have very deep cups, #24 backbores, and emit a large, dark sound.Models with no letter designation have deep cups, #10 backbores, and produce a rich, full, clear tone.B Models have medium deep cups, #7 backbores, and have a full,Teutonic tone with great volume.C Models have medium cups, #10 backbores, and are preferred by many players that alternate between B, C and D trumpet.D Models have medium-shallow cups, #7

Bach Standard Series Flugelhorn Mouthpiece In Silver Group Ii 11D $43.99 The Bach Standard Series Flugelhorn Mouthpiece in Silver Group II includes the following mouthpiece models: 9, 9a, 9b, 9c, 9d, 10, 10B, 10-1/2a, 10-1/2d, 10-1/2e, 10-1/2dw, 10-1/2ew, 10-3/4a, 10-3/4cw, 10-3/4ew, 10-3/4cw, 11a, 11b, 11c, 11d, 11dw, 11ew, 11-1/2a, 11-1/2c, 11-3/4c, 12, 12b, 12c, 12cw, 17, 17c, 18, 18c, 20cWhen selecting a mouthpiece, a brass instrumentalist should choose one with a solid, compact tone of large volume. A carefully selected Bach mouthpiece can help improve a players embouchure, attack, tonguing and endurance.Because no two players have the same lip or tooth formation, what is perfect for one may be entirely unsuitable for the other. Bach produces many different models so that each player can find the best mouthpiece for their individual embouchure.A mouthpiece consists of the rim, cup, throat, and backbore. Bringing these various components into proper relationship constitutes the art of superior mouthpiece production.In choosing a special combination of rim, cup, throat and backbore designs, consider the effects of each.RIMWide: Increases enduranceNarrow: Improves flexibility, rangeRound: Improves comfortSharp: Increases brilliance, precision of attackCUPLarge: Increases volume, controlSmall: Relieves fatigue, weaknessDeep: Darkens tone, especially in low registerShallow: Brightens tone, improves response, especially in high registerTHROATLarge: Increases blowing freedom, volume, tone; sharpens high register (largest sizes also sharpen low registerSmall: Increases resistance, endurance, brilliance; flattens high registerBACKBOREExcept in general terms, it isnt possible to identify backbores by size because they also vary in shape. Various combinations of size and shape make the tone darker or more brilliant, raise or lower the pitch in one or more registers, increase or decrease volume. In each instance, the effect depends in part on the throat and cup used in combination with the backbore.Key To Trumpet, Cornet and Fluegelhorn Model Numbers:Bach trumpet, cornet and fluegelhorn mouthpieces have been numbered in an orderly progression from the largest to the smallest diameters and from the deepest to the most shallow cup, each with a choice of rim designs.Rim shape is described for each indi- vidual model throughout the catalog. Model numbers progress numerically from model #1 with the largest cup diameter, to model #20C with the smallest cup diameter.Cup depths are notated with letters. A cups are the deepest; standard cups have no letter designation; progressively shallower cups are marked B through F.A Models have very deep cups, #24 backbores, and emit a large, dark sound.Models with no letter designation have deep cups, #10 backbores, and produce a rich, full, clear tone.B Models have medium deep cups, #7 backbores, and have a full,Teutonic tone with great volume.C Models have medium cups, #10 backbores, and are preferred by many players that alternate between B, C and D trumpet.D Models have medium-shallow cups

Bach Standard Series Flugelhorn Mouthpiece In Silver Group Ii 11-3/4C $43.99 The Bach Standard Series Flugelhorn Mouthpiece in Silver Group II includes the following mouthpiece models: 9, 9a, 9b, 9c, 9d, 10, 10B, 10-1/2a, 10-1/2d, 10-1/2e, 10-1/2dw, 10-1/2ew, 10-3/4a, 10-3/4cw, 10-3/4ew, 10-3/4cw, 11a, 11b, 11c, 11d, 11dw, 11ew, 11-1/2a, 11-1/2c, 11-3/4c, 12, 12b, 12c, 12cw, 17, 17c, 18, 18c, 20cWhen selecting a mouthpiece, a brass instrumentalist should choose one with a solid, compact tone of large volume. A carefully selected Bach mouthpiece can help improve a players embouchure, attack, tonguing and endurance.Because no two players have the same lip or tooth formation, what is perfect for one may be entirely unsuitable for the other. Bach produces many different models so that each player can find the best mouthpiece for their individual embouchure.A mouthpiece consists of the rim, cup, throat, and backbore. Bringing these various components into proper relationship constitutes the art of superior mouthpiece production.In choosing a special combination of rim, cup, throat and backbore designs, consider the effects of each.RIMWide: Increases enduranceNarrow: Improves flexibility, rangeRound: Improves comfortSharp: Increases brilliance, precision of attackCUPLarge: Increases volume, controlSmall: Relieves fatigue, weaknessDeep: Darkens tone, especially in low registerShallow: Brightens tone, improves response, especially in high registerTHROATLarge: Increases blowing freedom, volume, tone; sharpens high register (largest sizes also sharpen low registerSmall: Increases resistance, endurance, brilliance; flattens high registerBACKBOREExcept in general terms, it isnt possible to identify backbores by size because they also vary in shape. Various combinations of size and shape make the tone darker or more brilliant, raise or lower the pitch in one or more registers, increase or decrease volume. In each instance, the effect depends in part on the throat and cup used in combination with the backbore.Key To Trumpet, Cornet and Fluegelhorn Model Numbers:Bach trumpet, cornet and fluegelhorn mouthpieces have been numbered in an orderly progression from the largest to the smallest diameters and from the deepest to the most shallow cup, each with a choice of rim designs.Rim shape is described for each indi- vidual model throughout the catalog. Model numbers progress numerically from model #1 with the largest cup diameter, to model #20C with the smallest cup diameter.Cup depths are notated with letters. A cups are the deepest; standard cups have no letter designation; progressively shallower cups are marked B through F.A Models have very deep cups, #24 backbores, and emit a large, dark sound.Models with no letter designation have deep cups, #10 backbores, and produce a rich, full, clear tone.B Models have medium deep cups, #7 backbores, and have a full,Teutonic tone with great volume.C Models have medium cups, #10 backbores, and are preferred by many players that alternate between B, C and D trumpet.D Models have medium-shallow cups

Bach Standard Series Flugelhorn Mouthpiece In Silver Group Ii 11-3/4Cw $43.99 The Bach Standard Series Flugelhorn Mouthpiece in Silver Group II includes the following mouthpiece models: 9, 9a, 9b, 9c, 9d, 10, 10B, 10-1/2a, 10-1/2d, 10-1/2e, 10-1/2dw, 10-1/2ew, 10-3/4a, 10-3/4cw, 10-3/4ew, 10-3/4cw, 11a, 11b, 11c, 11d, 11dw, 11ew, 11-1/2a, 11-1/2c, 11-3/4c, 12, 12b, 12c, 12cw, 17, 17c, 18, 18c, 20cWhen selecting a mouthpiece, a brass instrumentalist should choose one with a solid, compact tone of large volume. A carefully selected Bach mouthpiece can help improve a players embouchure, attack, tonguing and endurance.Because no two players have the same lip or tooth formation, what is perfect for one may be entirely unsuitable for the other. Bach produces many different models so that each player can find the best mouthpiece for their individual embouchure.A mouthpiece consists of the rim, cup, throat, and backbore. Bringing these various components into proper relationship constitutes the art of superior mouthpiece production.In choosing a special combination of rim, cup, throat and backbore designs, consider the effects of each.RIMWide: Increases enduranceNarrow: Improves flexibility, rangeRound: Improves comfortSharp: Increases brilliance, precision of attackCUPLarge: Increases volume, controlSmall: Relieves fatigue, weaknessDeep: Darkens tone, especially in low registerShallow: Brightens tone, improves response, especially in high registerTHROATLarge: Increases blowing freedom, volume, tone; sharpens high register (largest sizes also sharpen low registerSmall: Increases resistance, endurance, brilliance; flattens high registerBACKBOREExcept in general terms, it isnt possible to identify backbores by size because they also vary in shape. Various combinations of size and shape make the tone darker or more brilliant, raise or lower the pitch in one or more registers, increase or decrease volume. In each instance, the effect depends in part on the throat and cup used in combination with the backbore.Key To Trumpet, Cornet and Fluegelhorn Model Numbers:Bach trumpet, cornet and fluegelhorn mouthpieces have been numbered in an orderly progression from the largest to the smallest diameters and from the deepest to the most shallow cup, each with a choice of rim designs.Rim shape is described for each indi- vidual model throughout the catalog. Model numbers progress numerically from model #1 with the largest cup diameter, to model #20C with the smallest cup diameter.Cup depths are notated with letters. A cups are the deepest; standard cups have no letter designation; progressively shallower cups are marked B through F.A Models have very deep cups, #24 backbores, and emit a large, dark sound.Models with no letter designation have deep cups, #10 backbores, and produce a rich, full, clear tone.B Models have medium deep cups, #7 backbores, and have a full,Teutonic tone with great volume.C Models have medium cups, #10 backbores, and are preferred by many players that alternate between B, C and D trumpet.D Models have medium-shallow cups

Bach Standard Series Flugelhorn Mouthpiece In Gold Group I 7Bw $129.99 The Bach Standard Series Flugelhorn Mouthpiece in Gold Group I includes the following mouthpiece models: 1, 1B, 1CW, 1C, 1D, 1E, 1X, 1-1/2B, 1-1/4, 2, 2C, 2-3/4, 3, 3B, 3CW, 3D, 3E, 3F, 5A, 5B, 5C, 5MV, 5V, 6, 6B, 6BM, 6C, 7, 7A, 7BW, 7C, 7CW, 7D, 7DW, 7E, 7EW, 8, 8B, 8C, 8-1/2, 8-1/2A, 8-1/2B, 8-1/2C, 8-3/4, 8-3/4C.When selecting a mouthpiece, a brass instrumentalist should choose one with a solid, compact tone of large volume. A carefully selected Bach mouthpiece can help improve a players embouchure, attack, tonguing and endurance.Because no two players have the same lip or tooth formation, what is perfect for one may be entirely unsuitable for the other. Bach produces many different models so that each player can find the best mouthpiece for their individual embouchure.A mouthpiece consists of the rim, cup, throat, and backbore. Bringing these various components into proper relationship constitutes the art of superior mouthpiece production.In choosing a special combination of rim, cup, throat and backbore designs, consider the effects of each.RIMWide: Increases enduranceNarrow: Improves flexibility, rangeRound: Improves comfortSharp: Increases brilliance, precision of attackCUPLarge: Increases volume, controlSmall: Relieves fatigue, weaknessDeep: Darkens tone, especially in low registerShallow: Brightens tone, improves response, especially in high registerTHROATLarge: Increases blowing freedom, volume, tone; sharpens high register (largest sizes also sharpen low registerSmall: Increases resistance, endurance, brilliance; flattens high registerBACKBOREExcept in general terms, it isnt possible to identify backbores by size because they also vary in shape. Various combinations of size and shape make the tone darker or more brilliant, raise or lower the pitch in one or more registers, increase or decrease volume. In each instance, the effect depends in part on the throat and cup used in combination with the backbore.Key To Trumpet, Cornet and Fluegelhorn Model Numbers:Bach trumpet, cornet and fluegelhorn mouthpieces have been numbered in an orderly progression from the largest to the smallest diameters and from the deepest to the most shallow cup, each with a choice of rim designs.Rim shape is described for each indi- vidual model throughout the catalog. Model numbers progress numerically from model #1 with the largest cup diameter, to model #20C with the smallest cup diameter.Cup depths are notated with letters. A cups are the deepest; standard cups have no letter designation; progressively shallower cups are marked B through F.A Models have very deep cups, #24 backbores, and emit a large, dark sound.Models with no letter designation have deep cups, #10 backbores, and produce a rich, full, clear tone.B Models have medium deep cups, #7 backbores, and have a full,Teutonic tone with great volume.C Models have medium cups, #10 backbores, and are preferred by many players that alternate between B, C and D trumpet.D Models have medium-shallow cups, #7

Bach Standard Series Flugelhorn Mouthpiece In Silver Group Ii 10-1/2Ew $43.99 The Bach Standard Series Flugelhorn Mouthpiece in Silver Group II includes the following mouthpiece models: 9, 9a, 9b, 9c, 9d, 10, 10B, 10-1/2a, 10-1/2d, 10-1/2e, 10-1/2dw, 10-1/2ew, 10-3/4a, 10-3/4cw, 10-3/4ew, 10-3/4cw, 11a, 11b, 11c, 11d, 11dw, 11ew, 11-1/2a, 11-1/2c, 11-3/4c, 12, 12b, 12c, 12cw, 17, 17c, 18, 18c, 20cWhen selecting a mouthpiece, a brass instrumentalist should choose one with a solid, compact tone of large volume. A carefully selected Bach mouthpiece can help improve a players embouchure, attack, tonguing and endurance.Because no two players have the same lip or tooth formation, what is perfect for one may be entirely unsuitable for the other. Bach produces many different models so that each player can find the best mouthpiece for their individual embouchure.A mouthpiece consists of the rim, cup, throat, and backbore. Bringing these various components into proper relationship constitutes the art of superior mouthpiece production.In choosing a special combination of rim, cup, throat and backbore designs, consider the effects of each.RIMWide: Increases enduranceNarrow: Improves flexibility, rangeRound: Improves comfortSharp: Increases brilliance, precision of attackCUPLarge: Increases volume, controlSmall: Relieves fatigue, weaknessDeep: Darkens tone, especially in low registerShallow: Brightens tone, improves response, especially in high registerTHROATLarge: Increases blowing freedom, volume, tone; sharpens high register (largest sizes also sharpen low registerSmall: Increases resistance, endurance, brilliance; flattens high registerBACKBOREExcept in general terms, it isnt possible to identify backbores by size because they also vary in shape. Various combinations of size and shape make the tone darker or more brilliant, raise or lower the pitch in one or more registers, increase or decrease volume. In each instance, the effect depends in part on the throat and cup used in combination with the backbore.Key To Trumpet, Cornet and Fluegelhorn Model Numbers:Bach trumpet, cornet and fluegelhorn mouthpieces have been numbered in an orderly progression from the largest to the smallest diameters and from the deepest to the most shallow cup, each with a choice of rim designs.Rim shape is described for each indi- vidual model throughout the catalog. Model numbers progress numerically from model #1 with the largest cup diameter, to model #20C with the smallest cup diameter.Cup depths are notated with letters. A cups are the deepest; standard cups have no letter designation; progressively shallower cups are marked B through F.A Models have very deep cups, #24 backbores, and emit a large, dark sound.Models with no letter designation have deep cups, #10 backbores, and produce a rich, full, clear tone.B Models have medium deep cups, #7 backbores, and have a full,Teutonic tone with great volume.C Models have medium cups, #10 backbores, and are preferred by many players that alternate between B, C and D trumpet.D Models have medium-shallow cups

Bach Standard Series Flugelhorn Mouthpiece In Gold Group I 1D $129.99 The Bach Standard Series Flugelhorn Mouthpiece in Gold Group I includes the following mouthpiece models: 1, 1B, 1CW, 1C, 1D, 1E, 1X, 1-1/2B, 1-1/4, 2, 2C, 2-3/4, 3, 3B, 3CW, 3D, 3E, 3F, 5A, 5B, 5C, 5MV, 5V, 6, 6B, 6BM, 6C, 7, 7A, 7BW, 7C, 7CW, 7D, 7DW, 7E, 7EW, 8, 8B, 8C, 8-1/2, 8-1/2A, 8-1/2B, 8-1/2C, 8-3/4, 8-3/4C.When selecting a mouthpiece, a brass instrumentalist should choose one with a solid, compact tone of large volume. A carefully selected Bach mouthpiece can help improve a players embouchure, attack, tonguing and endurance.Because no two players have the same lip or tooth formation, what is perfect for one may be entirely unsuitable for the other. Bach produces many different models so that each player can find the best mouthpiece for their individual embouchure.A mouthpiece consists of the rim, cup, throat, and backbore. Bringing these various components into proper relationship constitutes the art of superior mouthpiece production.In choosing a special combination of rim, cup, throat and backbore designs, consider the effects of each.RIMWide: Increases enduranceNarrow: Improves flexibility, rangeRound: Improves comfortSharp: Increases brilliance, precision of attackCUPLarge: Increases volume, controlSmall: Relieves fatigue, weaknessDeep: Darkens tone, especially in low registerShallow: Brightens tone, improves response, especially in high registerTHROATLarge: Increases blowing freedom, volume, tone; sharpens high register (largest sizes also sharpen low registerSmall: Increases resistance, endurance, brilliance; flattens high registerBACKBOREExcept in general terms, it isnt possible to identify backbores by size because they also vary in shape. Various combinations of size and shape make the tone darker or more brilliant, raise or lower the pitch in one or more registers, increase or decrease volume. In each instance, the effect depends in part on the throat and cup used in combination with the backbore.Key To Trumpet, Cornet and Fluegelhorn Model Numbers:Bach trumpet, cornet and fluegelhorn mouthpieces have been numbered in an orderly progression from the largest to the smallest diameters and from the deepest to the most shallow cup, each with a choice of rim designs.Rim shape is described for each indi- vidual model throughout the catalog. Model numbers progress numerically from model #1 with the largest cup diameter, to model #20C with the smallest cup diameter.Cup depths are notated with letters. A cups are the deepest; standard cups have no letter designation; progressively shallower cups are marked B through F.A Models have very deep cups, #24 backbores, and emit a large, dark sound.Models with no letter designation have deep cups, #10 backbores, and produce a rich, full, clear tone.B Models have medium deep cups, #7 backbores, and have a full,Teutonic tone with great volume.C Models have medium cups, #10 backbores, and are preferred by many players that alternate between B, C and D trumpet.D Models have medium-shallow cups, #7

Bach Standard Series Flugelhorn Mouthpiece In Gold Group I 5B $129.99 The Bach Standard Series Flugelhorn Mouthpiece in Gold Group I includes the following mouthpiece models: 1, 1B, 1CW, 1C, 1D, 1E, 1X, 1-1/2B, 1-1/4, 2, 2C, 2-3/4, 3, 3B, 3CW, 3D, 3E, 3F, 5A, 5B, 5C, 5MV, 5V, 6, 6B, 6BM, 6C, 7, 7A, 7BW, 7C, 7CW, 7D, 7DW, 7E, 7EW, 8, 8B, 8C, 8-1/2, 8-1/2A, 8-1/2B, 8-1/2C, 8-3/4, 8-3/4C.When selecting a mouthpiece, a brass instrumentalist should choose one with a solid, compact tone of large volume. A carefully selected Bach mouthpiece can help improve a players embouchure, attack, tonguing and endurance.Because no two players have the same lip or tooth formation, what is perfect for one may be entirely unsuitable for the other. Bach produces many different models so that each player can find the best mouthpiece for their individual embouchure.A mouthpiece consists of the rim, cup, throat, and backbore. Bringing these various components into proper relationship constitutes the art of superior mouthpiece production.In choosing a special combination of rim, cup, throat and backbore designs, consider the effects of each.RIMWide: Increases enduranceNarrow: Improves flexibility, rangeRound: Improves comfortSharp: Increases brilliance, precision of attackCUPLarge: Increases volume, controlSmall: Relieves fatigue, weaknessDeep: Darkens tone, especially in low registerShallow: Brightens tone, improves response, especially in high registerTHROATLarge: Increases blowing freedom, volume, tone; sharpens high register (largest sizes also sharpen low registerSmall: Increases resistance, endurance, brilliance; flattens high registerBACKBOREExcept in general terms, it isnt possible to identify backbores by size because they also vary in shape. Various combinations of size and shape make the tone darker or more brilliant, raise or lower the pitch in one or more registers, increase or decrease volume. In each instance, the effect depends in part on the throat and cup used in combination with the backbore.Key To Trumpet, Cornet and Fluegelhorn Model Numbers:Bach trumpet, cornet and fluegelhorn mouthpieces have been numbered in an orderly progression from the largest to the smallest diameters and from the deepest to the most shallow cup, each with a choice of rim designs.Rim shape is described for each indi- vidual model throughout the catalog. Model numbers progress numerically from model #1 with the largest cup diameter, to model #20C with the smallest cup diameter.Cup depths are notated with letters. A cups are the deepest; standard cups have no letter designation; progressively shallower cups are marked B through F.A Models have very deep cups, #24 backbores, and emit a large, dark sound.Models with no letter designation have deep cups, #10 backbores, and produce a rich, full, clear tone.B Models have medium deep cups, #7 backbores, and have a full,Teutonic tone with great volume.C Models have medium cups, #10 backbores, and are preferred by many players that alternate between B, C and D trumpet.D Models have medium-shallow cups, #7

Bach Standard Series Flugelhorn Mouthpiece In Silver Group Ii 12 $43.99 The Bach Standard Series Flugelhorn Mouthpiece in Silver Group II includes the following mouthpiece models: 9, 9a, 9b, 9c, 9d, 10, 10B, 10-1/2a, 10-1/2d, 10-1/2e, 10-1/2dw, 10-1/2ew, 10-3/4a, 10-3/4cw, 10-3/4ew, 10-3/4cw, 11a, 11b, 11c, 11d, 11dw, 11ew, 11-1/2a, 11-1/2c, 11-3/4c, 12, 12b, 12c, 12cw, 17, 17c, 18, 18c, 20cWhen selecting a mouthpiece, a brass instrumentalist should choose one with a solid, compact tone of large volume. A carefully selected Bach mouthpiece can help improve a players embouchure, attack, tonguing and endurance.Because no two players have the same lip or tooth formation, what is perfect for one may be entirely unsuitable for the other. Bach produces many different models so that each player can find the best mouthpiece for their individual embouchure.A mouthpiece consists of the rim, cup, throat, and backbore. Bringing these various components into proper relationship constitutes the art of superior mouthpiece production.In choosing a special combination of rim, cup, throat and backbore designs, consider the effects of each.RIMWide: Increases enduranceNarrow: Improves flexibility, rangeRound: Improves comfortSharp: Increases brilliance, precision of attackCUPLarge: Increases volume, controlSmall: Relieves fatigue, weaknessDeep: Darkens tone, especially in low registerShallow: Brightens tone, improves response, especially in high registerTHROATLarge: Increases blowing freedom, volume, tone; sharpens high register (largest sizes also sharpen low registerSmall: Increases resistance, endurance, brilliance; flattens high registerBACKBOREExcept in general terms, it isnt possible to identify backbores by size because they also vary in shape. Various combinations of size and shape make the tone darker or more brilliant, raise or lower the pitch in one or more registers, increase or decrease volume. In each instance, the effect depends in part on the throat and cup used in combination with the backbore.Key To Trumpet, Cornet and Fluegelhorn Model Numbers:Bach trumpet, cornet and fluegelhorn mouthpieces have been numbered in an orderly progression from the largest to the smallest diameters and from the deepest to the most shallow cup, each with a choice of rim designs.Rim shape is described for each indi- vidual model throughout the catalog. Model numbers progress numerically from model #1 with the largest cup diameter, to model #20C with the smallest cup diameter.Cup depths are notated with letters. A cups are the deepest; standard cups have no letter designation; progressively shallower cups are marked B through F.A Models have very deep cups, #24 backbores, and emit a large, dark sound.Models with no letter designation have deep cups, #10 backbores, and produce a rich, full, clear tone.B Models have medium deep cups, #7 backbores, and have a full,Teutonic tone with great volume.C Models have medium cups, #10 backbores, and are preferred by many players that alternate between B, C and D trumpet.D Models have medium-shallow cups

Bach Standard Series Flugelhorn Mouthpiece In Gold Group I 8-1/2 $129.99 The Bach Standard Series Flugelhorn Mouthpiece in Gold Group I includes the following mouthpiece models: 1, 1B, 1CW, 1C, 1D, 1E, 1X, 1-1/2B, 1-1/4, 2, 2C, 2-3/4, 3, 3B, 3CW, 3D, 3E, 3F, 5A, 5B, 5C, 5MV, 5V, 6, 6B, 6BM, 6C, 7, 7A, 7BW, 7C, 7CW, 7D, 7DW, 7E, 7EW, 8, 8B, 8C, 8-1/2, 8-1/2A, 8-1/2B, 8-1/2C, 8-3/4, 8-3/4C.When selecting a mouthpiece, a brass instrumentalist should choose one with a solid, compact tone of large volume. A carefully selected Bach mouthpiece can help improve a players embouchure, attack, tonguing and endurance.Because no two players have the same lip or tooth formation, what is perfect for one may be entirely unsuitable for the other. Bach produces many different models so that each player can find the best mouthpiece for their individual embouchure.A mouthpiece consists of the rim, cup, throat, and backbore. Bringing these various components into proper relationship constitutes the art of superior mouthpiece production.In choosing a special combination of rim, cup, throat and backbore designs, consider the effects of each.RIMWide: Increases enduranceNarrow: Improves flexibility, rangeRound: Improves comfortSharp: Increases brilliance, precision of attackCUPLarge: Increases volume, controlSmall: Relieves fatigue, weaknessDeep: Darkens tone, especially in low registerShallow: Brightens tone, improves response, especially in high registerTHROATLarge: Increases blowing freedom, volume, tone; sharpens high register (largest sizes also sharpen low registerSmall: Increases resistance, endurance, brilliance; flattens high registerBACKBOREExcept in general terms, it isnt possible to identify backbores by size because they also vary in shape. Various combinations of size and shape make the tone darker or more brilliant, raise or lower the pitch in one or more registers, increase or decrease volume. In each instance, the effect depends in part on the throat and cup used in combination with the backbore.Key To Trumpet, Cornet and Fluegelhorn Model Numbers:Bach trumpet, cornet and fluegelhorn mouthpieces have been numbered in an orderly progression from the largest to the smallest diameters and from the deepest to the most shallow cup, each with a choice of rim designs.Rim shape is described for each indi- vidual model throughout the catalog. Model numbers progress numerically from model #1 with the largest cup diameter, to model #20C with the smallest cup diameter.Cup depths are notated with letters. A cups are the deepest; standard cups have no letter designation; progressively shallower cups are marked B through F.A Models have very deep cups, #24 backbores, and emit a large, dark sound.Models with no letter designation have deep cups, #10 backbores, and produce a rich, full, clear tone.B Models have medium deep cups, #7 backbores, and have a full,Teutonic tone with great volume.C Models have medium cups, #10 backbores, and are preferred by many players that alternate between B, C and D trumpet.D Models have medium-shallow cups, #7

Bach Standard Series Flugelhorn Mouthpiece In Gold Group I 7Cw $129.99 The Bach Standard Series Flugelhorn Mouthpiece in Gold Group I includes the following mouthpiece models: 1, 1B, 1CW, 1C, 1D, 1E, 1X, 1-1/2B, 1-1/4, 2, 2C, 2-3/4, 3, 3B, 3CW, 3D, 3E, 3F, 5A, 5B, 5C, 5MV, 5V, 6, 6B, 6BM, 6C, 7, 7A, 7BW, 7C, 7CW, 7D, 7DW, 7E, 7EW, 8, 8B, 8C, 8-1/2, 8-1/2A, 8-1/2B, 8-1/2C, 8-3/4, 8-3/4C.When selecting a mouthpiece, a brass instrumentalist should choose one with a solid, compact tone of large volume. A carefully selected Bach mouthpiece can help improve a players embouchure, attack, tonguing and endurance.Because no two players have the same lip or tooth formation, what is perfect for one may be entirely unsuitable for the other. Bach produces many different models so that each player can find the best mouthpiece for their individual embouchure.A mouthpiece consists of the rim, cup, throat, and backbore. Bringing these various components into proper relationship constitutes the art of superior mouthpiece production.In choosing a special combination of rim, cup, throat and backbore designs, consider the effects of each.RIMWide: Increases enduranceNarrow: Improves flexibility, rangeRound: Improves comfortSharp: Increases brilliance, precision of attackCUPLarge: Increases volume, controlSmall: Relieves fatigue, weaknessDeep: Darkens tone, especially in low registerShallow: Brightens tone, improves response, especially in high registerTHROATLarge: Increases blowing freedom, volume, tone; sharpens high register (largest sizes also sharpen low registerSmall: Increases resistance, endurance, brilliance; flattens high registerBACKBOREExcept in general terms, it isnt possible to identify backbores by size because they also vary in shape. Various combinations of size and shape make the tone darker or more brilliant, raise or lower the pitch in one or more registers, increase or decrease volume. In each instance, the effect depends in part on the throat and cup used in combination with the backbore.Key To Trumpet, Cornet and Fluegelhorn Model Numbers:Bach trumpet, cornet and fluegelhorn mouthpieces have been numbered in an orderly progression from the largest to the smallest diameters and from the deepest to the most shallow cup, each with a choice of rim designs.Rim shape is described for each indi- vidual model throughout the catalog. Model numbers progress numerically from model #1 with the largest cup diameter, to model #20C with the smallest cup diameter.Cup depths are notated with letters. A cups are the deepest; standard cups have no letter designation; progressively shallower cups are marked B through F.A Models have very deep cups, #24 backbores, and emit a large, dark sound.Models with no letter designation have deep cups, #10 backbores, and produce a rich, full, clear tone.B Models have medium deep cups, #7 backbores, and have a full,Teutonic tone with great volume.C Models have medium cups, #10 backbores, and are preferred by many players that alternate between B, C and D trumpet.D Models have medium-shallow cups, #7

Bach Standard Series Flugelhorn Mouthpiece In Silver Group Ii 9C $43.99 The Bach Standard Series Flugelhorn Mouthpiece in Silver Group II includes the following mouthpiece models: 9, 9a, 9b, 9c, 9d, 10, 10B, 10-1/2a, 10-1/2d, 10-1/2e, 10-1/2dw, 10-1/2ew, 10-3/4a, 10-3/4cw, 10-3/4ew, 10-3/4cw, 11a, 11b, 11c, 11d, 11dw, 11ew, 11-1/2a, 11-1/2c, 11-3/4c, 12, 12b, 12c, 12cw, 17, 17c, 18, 18c, 20cWhen selecting a mouthpiece, a brass instrumentalist should choose one with a solid, compact tone of large volume. A carefully selected Bach mouthpiece can help improve a players embouchure, attack, tonguing and endurance.Because no two players have the same lip or tooth formation, what is perfect for one may be entirely unsuitable for the other. Bach produces many different models so that each player can find the best mouthpiece for their individual embouchure.A mouthpiece consists of the rim, cup, throat, and backbore. Bringing these various components into proper relationship constitutes the art of superior mouthpiece production.In choosing a special combination of rim, cup, throat and backbore designs, consider the effects of each.RIMWide: Increases enduranceNarrow: Improves flexibility, rangeRound: Improves comfortSharp: Increases brilliance, precision of attackCUPLarge: Increases volume, controlSmall: Relieves fatigue, weaknessDeep: Darkens tone, especially in low registerShallow: Brightens tone, improves response, especially in high registerTHROATLarge: Increases blowing freedom, volume, tone; sharpens high register (largest sizes also sharpen low registerSmall: Increases resistance, endurance, brilliance; flattens high registerBACKBOREExcept in general terms, it isnt possible to identify backbores by size because they also vary in shape. Various combinations of size and shape make the tone darker or more brilliant, raise or lower the pitch in one or more registers, increase or decrease volume. In each instance, the effect depends in part on the throat and cup used in combination with the backbore.Key To Trumpet, Cornet and Fluegelhorn Model Numbers:Bach trumpet, cornet and fluegelhorn mouthpieces have been numbered in an orderly progression from the largest to the smallest diameters and from the deepest to the most shallow cup, each with a choice of rim designs.Rim shape is described for each indi- vidual model throughout the catalog. Model numbers progress numerically from model #1 with the largest cup diameter, to model #20C with the smallest cup diameter.Cup depths are notated with letters. A cups are the deepest; standard cups have no letter designation; progressively shallower cups are marked B through F.A Models have very deep cups, #24 backbores, and emit a large, dark sound.Models with no letter designation have deep cups, #10 backbores, and produce a rich, full, clear tone.B Models have medium deep cups, #7 backbores, and have a full,Teutonic tone with great volume.C Models have medium cups, #10 backbores, and are preferred by many players that alternate between B, C and D trumpet.D Models have medium-shallow cups

Bach Standard Series Flugelhorn Mouthpiece In Gold Group I 1-1/2B $129.99 The Bach Standard Series Flugelhorn Mouthpiece in Gold Group I includes the following mouthpiece models: 1, 1B, 1CW, 1C, 1D, 1E, 1X, 1-1/2B, 1-1/4, 2, 2C, 2-3/4, 3, 3B, 3CW, 3D, 3E, 3F, 5A, 5B, 5C, 5MV, 5V, 6, 6B, 6BM, 6C, 7, 7A, 7BW, 7C, 7CW, 7D, 7DW, 7E, 7EW, 8, 8B, 8C, 8-1/2, 8-1/2A, 8-1/2B, 8-1/2C, 8-3/4, 8-3/4C.When selecting a mouthpiece, a brass instrumentalist should choose one with a solid, compact tone of large volume. A carefully selected Bach mouthpiece can help improve a players embouchure, attack, tonguing and endurance.Because no two players have the same lip or tooth formation, what is perfect for one may be entirely unsuitable for the other. Bach produces many different models so that each player can find the best mouthpiece for their individual embouchure.A mouthpiece consists of the rim, cup, throat, and backbore. Bringing these various components into proper relationship constitutes the art of superior mouthpiece production.In choosing a special combination of rim, cup, throat and backbore designs, consider the effects of each.RIMWide: Increases enduranceNarrow: Improves flexibility, rangeRound: Improves comfortSharp: Increases brilliance, precision of attackCUPLarge: Increases volume, controlSmall: Relieves fatigue, weaknessDeep: Darkens tone, especially in low registerShallow: Brightens tone, improves response, especially in high registerTHROATLarge: Increases blowing freedom, volume, tone; sharpens high register (largest sizes also sharpen low registerSmall: Increases resistance, endurance, brilliance; flattens high registerBACKBOREExcept in general terms, it isnt possible to identify backbores by size because they also vary in shape. Various combinations of size and shape make the tone darker or more brilliant, raise or lower the pitch in one or more registers, increase or decrease volume. In each instance, the effect depends in part on the throat and cup used in combination with the backbore.Key To Trumpet, Cornet and Fluegelhorn Model Numbers:Bach trumpet, cornet and fluegelhorn mouthpieces have been numbered in an orderly progression from the largest to the smallest diameters and from the deepest to the most shallow cup, each with a choice of rim designs.Rim shape is described for each indi- vidual model throughout the catalog. Model numbers progress numerically from model #1 with the largest cup diameter, to model #20C with the smallest cup diameter.Cup depths are notated with letters. A cups are the deepest; standard cups have no letter designation; progressively shallower cups are marked B through F.A Models have very deep cups, #24 backbores, and emit a large, dark sound.Models with no letter designation have deep cups, #10 backbores, and produce a rich, full, clear tone.B Models have medium deep cups, #7 backbores, and have a full,Teutonic tone with great volume.C Models have medium cups, #10 backbores, and are preferred by many players that alternate between B, C and D trumpet.D Models have medium-shallow cups, #7

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